Q: How many witches does it take to outsmart the Devil's minion?
A: Just one! Mothers, lock up your evil sons!
When Raymond agrees to eternal service to Satan in exchange for enough money to win the love of a beautiful woman, he enters into a diabolical contract which can never be broken... or so he thinks! When the object of his affection learns of the unholy contract, she sets into motion a plan steeped in deception in order to save her lover from hellfire. Will she become the Bride of Satan?
Thanks to Karswell for sharing this fiendish fable from Witching Hour No. 49, printed in December 1974. The Horrors of it All will be posting a similar story tonight, as Devilcember begins drawing to a close...
Tuesday, December 22, 2009
Friday, December 4, 2009
When American army buddies Sandy Lake and Steve Hannan travel to argentina to make their fortunes, they both fall head over heels for the beautiful Senorita Del Faro. Known to the natives as The Cat Woman, the striking seductress is suspected of witchcraft. According to the frightened townspeople, those who dared to seek out her hacienda atop Mount Homono had a nasty habit of vanishing without a trace! Behold: the Terror of the Cat-Men!
This feline frightener comes Dark Mysteries No. 5, and was kindly donated by the generous Karswell of The Horrors of it All. As noted in the final panel, there's nothing like a little propaganda to keep the masses in line!
Monday, November 30, 2009
Herbert Khaury fell in love with music at an early age, spending countless hours playing the classics of yesteryear on a wind-up gramophone. His rise to fame began in 1952, when he entered a local talent show and debuted his trademark warbling falsetto singing style. The gentle giant adopted the stage name Tiny Tim, and began amassing a healthy cult following.
Tiny Tim released his first album, God Bless Tiny Tim, in 1968, and became a regular "novelty act" on programs such as Laugh-In, The Tonight Show with Johnny Carson, and The Ed Sullivan Show. In spite of the sheer ridiculousness of an enormous man with long, red hair, strumming a tiny ukelele while belting out ballads like Tiptoe Through the Tulips and I Got You Babe, Tiny Tim's repertoire showcased his vast knowledge of musical history.
His sound was ahead of it's time, at times resembling some of Alice Cooper's earlier releases. The legendary vaudevillian actor/comedian, Groucho Marx, employed Tim's version of Irving Berlin's Stay Down Here Where You Belong, in his act. The song depicts a conversation between Satan and his son, in condemnation of World War 1:
and not a one of them knows what they're fighting for…
Kings up there are bigger devils than your dad.”
Tiny Tim suffered a serious heart attack during a performance in September of 1996. Ordered to give up performing due to his frail health, Tim chose to disobey the advice of his medical team. He collapsed onstage two months later on November 30, and died shortly thereafter. Ironically, the last song he would ever perform before a live audience, Tiptoe Through the Tulips, was the very tune that made him a household name.
Thanks for the music, Tim... Rest in peace.
Sunday, November 29, 2009
of Edgar Allan Poe's classic: "The Black Cat"
In honour of the final day of Frankensteinia's Boris Karloff Blogathon, Killer Kittens From Beyond the Grave would like to share this interesting excerpt from Alberta History (Vol. 55 No. 2). Boris Karloff in Alberta was written by Stephen Jacobs, and details Boris Karloff's work with the Jeanne Russell Stock Company in the early 1900's.
When I blithely flipped a coin in the family solicitor's office,
the unfortunate losers were the Canadians."
This article was nabbed from Jacobs' web site, Boris Karloff: More Than a Monster, which is also the title of the biography he wrote about the iconic actor (scheduled to be published by Tomahawk Press).
Friday, November 27, 2009
Tuesday, November 24, 2009
This contest is now closed.
Warm and fuzzy Killer Kittens thanks to all
who took the time to vote for their favourite feline!
Monday, November 23, 2009
In honour of The Boris Karloff Blogathon that Frankensteinia is hosting this week (November 23-29), the THOIA Longboxes have donated this story about a fearsome feline from the October 1962 issue of Boris Karloff Thriller #1. "Gleam of Evil" tells of a pampered pussycat with the power to make terrible things happen to anyone who so much as casts a sideways glance in her direction! Will this pint-sized puffball be the demise of her brave, lion-taming owner?
If this story leaves you hungry for more, be sure to head over to The Horrors of it All, where Karswell has left a bowl out on the porch containing yet another story from Boris Karloff Thriller #1, entitled: "The Hand in the Wall"!
Sunday, November 22, 2009
Shipped off to religious boarding school by parents who ignored them, budding young women Anne de Boissy (Jeanne Goupil) and Lore Fournier (Catherine Wagener) became the closest of friends. Each night while in the convent, they would secretly share Anne's bed to read steamy passages together underneath the sheets. They exploited every opportunity afforded them to do wrong. Things they liked to do for fun included breaking rules, mocking Christianity, torturing pets, composing dark literature, and leading men into temptation. Together, they were preparing a very special ceremony to renounce Christ, and commit their lives to doing evil.
something wrong. To sin has become our chief aim.
Let the other idiots live their lives doing good.
We shall dedicate our lives to Satan, our Lord and Master."
As one might expect, all Hell breaks loose when Anne's parents, the Count and Countess, go away for the summer, leaving Anne all alone in the chateau, but for a few servants. Satan's willing, young slaves use this time to engage in some of their favourite pastimes, like arson, and leading even more men into temptation.
The beautiful Lore uses her god-given attributes to drive unsuspecting gents into a state of mad lust. Ample servings of sleaze follow the girls through several uncomfortable encounters of coerced near-rape for the purposes of fulfilling their Satanic mantra. What truly shook the foundations of this particular viewer was the way in which the diabolical duo leaped from one dangerously evil venture to another with blatant disregard for even their own personal safety. Clearly, these young women were not merely playing at evil. They were ready to give their very lives for it.
Ultimately, their summer of reckless abandon catches up with them. Lore breaks down before her friend, admitting that she is afraid of being caught, imprisoned, and separated from Anne. The dark, exotic beauty reassures the delicate, sobbing blonde that they will never be parted.
we will be together forever."
Mais ne Nous Délivrez Pas du Mal (Don't Deliver Us from Evil) is a taut, sleazy horror drama from French writer/director Joël Séria, based loosely on the notoriously fatal friendship of Pauline Parker and Juliet Hulme. The pair made shocking headlines in 1954 when they murdered Parker's mother after making plans to escape to the United States to work together in literature and film. Parker and Hulme's bizarre escapades were detailed in the Academy Award-winning Peter Jackson film Heavenly Creatures.
Although the American Academy of Motion Picture Arts and Sciences has yet to recognize Séria's efforts in re-telling the story with a Satanic twist, Don't Deliver Us from Evil is a certified cult cinema classic, brought back to life (with subtitles!) by the good folks at Mondo Macabro. Many thanks to Karswell for contributing this titillating title to the Killer Kittens library!
5/5 Kitty Skulls = Pick of the litter!
Tuesday, November 17, 2009
"What if cats made the movie Frankenstein?"
Saturday, November 14, 2009
Jean Brismée's La Plus Longue Nuit du Diable (The Devil's Nightmare) opens in Nazi Germany, with a birth and a baby killing. Baron Von Rhoneberg (Jean Servais) pulls a dagger from its sheath, and skewers his daughter within minutes of her birth. With a great war raging over land, sea, and sky, I suppose he figured nobody would notice the execution of just one baby.
The viewer time-travels to present day 1974. A group of seven impossibly-linked travelers are forced to spend the night in Von Rhoneberg's gothic castle due to a blockage of the main road. The tourists are a diverse lot. Father Alvin Sorel (Jacques Monseau) is a handsome priest with an honourable dedication to the virtues of the cross, and an admirable resistance of the pleasures of the flesh. Howard and Nancy are an unhappily married couple, bound together by money rather than any sort of romantic feelings toward one another. Erotic tension is provided by Regine (the Blonde Bombshell) and Corinne (the Brunette Bimbo), a pair of strikingly-beautiful girls with decidedly lesbionic tendencies. Mason is a formidably un-sexy, bespectacled old geezer, and rounding out the bottom of the barrel is Ducha, a greasy sweatball in a cheap suit.
Upon arrival at the castle, Nazi Lurch shows the guests to their rooms, taking great care to make them aware of the "gruesome stories" attached to each one. Evidently, Von Rhoneberg's staff have much to learn about running a successful bed and breakfast!
A beautiful, auburn-haired woman named Lisa Müller (Erika Blanc) arrives late to the castle, asking to be put up for the night. By the way the Von Rhoneberg's servant greets her, the viewer is left with the impression that the lovely Lisa has some sort of history with the Baron. She changes into her best floor-length gown with the stomach cut out, and joins the rest of the guests for dinner. All points considered, Lisa seems the perfect candidate to fulfill the Von Rhoneberg Curse of the Succubus that the Baron not-so-subtly mentioned to his house guests earlier.
in order to seduce men and lead them to perdition.
For the architecture nuts out there, here are a few neat-o features the old castle boasted. Talk about well-appointed!
- a nifty alchemy lab in the basement (which the Baron uses to seek out "philosophical truths," and also to make gold)
- a tortured cat in the attic
- a sarcophagus (which functions suspiciously like an iron maiden)
- a guillotine
- wallpaper that matched the bedspread (in every room)
When the castle guests retire to their rooms for the night is when the fun really begins! Lisa the Succubus (or Lisabus, if you will) focuses her attention on the dashing, young priest. I suspect the soul of a clergyman fetches a much higher price in Hell than that of an Everyday Joe. Showing impeccable control over both his mind and his sex organs, Father Sorel resists temptation. Lisabus will have to return later to make a second attempt at Seduction of the Innocent...
Seduction of the Fab Slob, Seduction of the Married Douche, and Seduction of the Brunette Bimbo go a lot more smoothly for Lisabus. The Slob consumes one too many glasses of poisonous demon wine. The Douche and the Brunette Bimbo sneak off to find a quiet place to fornicate, and instead wind up losing a battle to the guillotine and the iron maiden, respectively. Mrs. Douche's greed for the Baron's gold leads to her untimely demise, and the Geezer, being a geezer, can only run so fast. Meanwhile, Blondie's see-thru nightie is no match for the massive python conjured by Lisabus!
Father Sorel finally sees Lisabus for what she truly is, in the midst of a steamy, slow-strip seduction sequence. Perhaps if he kisses his rosary an appropriate number of times, and thrusts it at the demon just so...?
The Devil's Nightmare is a shining example of what a Satano-themed 1970's cult film should be. Briskly paced, brilliantly scored, and remarkably well acted, this Belgian-Italian co-production delivers the very best in late-night horror delight. Even the Devil himself (Daniel Emilfork) drops by to join in the fun and frolic! I proudly submit The Devil's Nightmare as my 100th post.
5/5 Kitty Skulls = Pick of the litter!